This is a film that is tend to teach in film classes. But i found really annoying that is the only example and prime, but there‘s so much underrated movies to teach in film class.
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But I like The Trial even more than Citizen Kane!
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We can’t ignore that Orson Welles was a controversial figure, yes ,
but also a remarkably visionary one. Sometimes, genius only becomes visible in hindsight. And while today’s lenses might not align with Welles’ worldview, it’s crucial that we don’t judge the past solely through the filter of our present values. Cinema, like any art form, lives in a continuum. You can’t fully appreciate where we are unless you understand where we’ve been.
That said, I agree with you on one important point :film education should include more than just the same old list of “important films.” There’s an entire universe of underrated, global, genre-defying works that also shaped the language of cinema. When I went to film school, there was no one dominant taste. Some classmates swore by romantic comedies, others by Marvel, A24, horror, or experimental documentaries. And that’s the beauty of cinema , there is a flavor for everyone .
For me, a filmmaker who radically changed how I saw film was Fellini. But I understand that for someone else, it might be Greta Gerwig, Guillermo del Toro, or Ari Aster. Every generation has its voices. What matters is that we treat them all not as dogma, but as conversation.
So yes, maybe Citizen Kane is over-taught, but that doesn’t make it irrelevant. It just means we need to broaden the spotlight, not dim it.
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Citizen Kane will always be an important film in the context of cinema history, and it should certainly be required viewing for anyone wanting to make films, but there are probably fresher examples to teach as well.
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