From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. Geist starts up a magazine called "The Next Big Thing", which he uses to confront and insult upcoming actors, comics, models and rock bands. As Geist's mysterious Underground Agenda escalates, will he become the "last big thing", or be co-opted by the very forces he is railing against?
Two friends, both named Frank, accidentally obtain a suitcase at the airport. It contains incriminating evidence against a mafia boss, who sends his Terminator-like lackie to find them. The Franks hide by impersonating make-up women for a beauty pageant. While in drag, the mafioso falls in love with one of the Franks.
A former hooker runs a successful men's magazine. An obsessed admirer systematically slaughters her models (occasionally increasing the magazine's output) and supplies the mistress with pictures of their disfigured corpses taken in front of her semi-nude posters visible in the background. Is she going to be the psycho's next victim?
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. But her success threatens Danny McGuire. He expressed his distress that his girlfriend will find success without him in Kelly's famous dance with himself, 'Alter Ego'. He and his sidekick, Genius, leave New York and entertain soldiers fighting in World War II. Rusty agrees to marry Noel, dazzled by success, security, and his power and money. But she drinks and loses weight because her heart belongs to Danny. She receives a symbolic pearl with great power and tells Coudair and Wheaton that she must spend her life with the man she loves.
Magazine publisher Van Stanhope is a hard-working, dynamic executive very happily married to his beautiful wife Linda. Although their relationship is is built on unconditional trust, friends caution her about the dangers of allowing Whitey, her husband's extremely sexy secretary, to continue to have access to him. Even Van's mother warns Linda that Van's father philandered during their marriage, and Van, like all men, will eventually succumb to opportunity and temptation. Although Whitey has a faithful boyfriend, she secretly harbors unrequited feelings for her boss. When they take business trip to Havana, circumstantial evidence convinces Linda that the rumors she's heard may have a basis in fact.
As a high-end custom furniture maker, Jimmy is trying to raise Wendy, his smart, yet manipulative, 10-year-old daughter he has with Donna, and his darkness-obsessed teen daughter Bonnie, whom he had with his first wife, a tart-tongued cocktail waitress, Claire. Constantly trying to prove to all these women that he does indeed love them - despite his penchant for stupid, hormonally-inspired remarks - things only become more complicated when Bonnie says she wants to live with him and Donna. Jimmy finally gets a break with the birth of his newest baby - it's a boy! Jimmy's joy over having an ally in the house is euphoric...even if father and son are still physically outnumbered - and more importantly, psychologically outwitted.
ART PAUL OF PLAYBOY: The Man Behind the Bunny, a documentary film on the innovation and impact of Art Paul, the creator of the iconic bunny logo, founding art director of Playboy, and the magazine's visual guru for its first 30 years. Paul is also an extraordinary artist, creating thousands of drawings and paintings of his own. The film combines interviews with historical footage and artworks--works that were art directed by Paul and/or created by him, to bring to life a legendary figure of our time. The film is a production of MoraQuest Media, a company based in Chicago.
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine which opposes everything his family represents. As Tom and Christie's relationship deepens, love blooms and he proposes to her. Realizing that she could never fit in with Tom's social circle, Christie says no, a decision she later regrets. But Tom isn't left alone for long--scheming gold-digger Cecelia Henry wastes no time in catching Tom on the rebound and forcing him into a disastrous marriage.
The early 1970s. William Miller is 15-years old and an aspiring rock journalist. He gets a job writing for Rolling Stone magazine. His first assignment: tour with the band Stillwater and write about the experience. Miller will get to see what goes on behind the scenes in a famous band, including the moments when things fall apart. Moreover, for him, it will be a period of new experiences and finding himself.
This modern retelling of Jane Austen's Northanger Abbey follows Cate Morland, a recent journalism graduate who is obsessed with fan culture, particularly of the short-lived cult series The Mysteries of Udolpho. Her new job at an LA entertainment magazine puts her in contact with many different people in the pop culture sphere, but none more exciting than Henry Tilney, the former star of The Mysteries of Udolpho himself...
For the first time in its 100 year history British Vogue allows TV cameras to film behind closed doors granting unprecedented access to senior staff as the fashion magazine prepares to celebrate its centenary.
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