Keywords

Svalbard is a norwegian archipelago in the Arctic Ocean where the world's northernmost city is situated. It is a place where the underground, terrestrial and spatial universes blend into each other starting from a coal mine up to Venus.

Since the dawn of times, the inhabitants of a small village in Burkina Faso had been living with gold. But today, there is no longer any, a multinational company exploiting all natural resources. The film follows the struggle of the local population to denounce this injustice and claim their dignity.

Toni Simmons believes that the only reason her married lover won't leave his wife is because of the children. Actually, her lover, dentist Julian Winston, doesn't have any children. In fact, he doesn't even have a wife--he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni, she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson to play the part.

Scott, a troubled Coast Guardsman assigned to a fog-bound station on a remote stretch of beach, suffers from Post Traumatic Stress when he survives a mine explosion that sinks his ship. Although he is engaged to a beautiful young woman who loves him, he becomes involved with an enigmatic femme fatale whom he meets near the beached wreckage of a torpedoed ship. She is married to a renowned painter who was blinded in a traumatic, but mysterious incident, details of which are very hazy. Although they only live in a small cottage, the couple have an ambivalent relationship especially in regards to his priceless cache of unsold paintings, a relationship that evolves into a romantic triangle as Scott falls under her seductive spell.

After her father gets killed in an automobile accident, Kristel Lodema discovers that he was investigating an old mine where convicted child killer Andries Martiens died back in 1857. Kristel decides to check out the mine along with a group of young adults. However, the mine turns out to be haunted by the dangerous, murderous spirit of Martiens.

Mary Crow Dog, daughter of a desperately poor Indian family in South Dakota, is swept up in the protests of the 1960s and becomes sensitized to the injustices that society inflicts on her people. She aids the Lakota in their struggle for their rights: a struggle that culminates in an armed standoff with US government forces at the site of an 1890 massacre.

Maxime is a miner with a troubled past. After an explosion at his mine, Maxime attempts to find redemption by saving his fellow miners.

A gold mining camp in the California foothills is besieged by a neighboring landowner intent on stealing their claims. A preacher (Clint Eastwood) rides into camp and uses all of his powers of persuasion to convince the landowner to give up his attacks on the miners.

U.S. Marshals "Nevada Jack" McKenzie and "Sandy" Hopkins, working undercover, investigate a plot to rob a widow and her daughter of a mine which they know to be filled with gold-laden ore, but the widow believes it has played out. A hermit, hanging around the mine and killing, impartially, anyone who enters the mine, impedes the investigation.

A docuseries chronicling the dangerous profession of coal mining, set in West Virginia.

London, 1962. Two strangers strike up a conversation on a park bench about life, sex and the hostile world they find themselves in as gay men. The conversation might be commonplace, but the language isn't, because the two men are speaking in Polari. Shedding light on a little-known and fascinating slice of gay history, this film is a darkly comic exploration of oppression, resilience and gay subculture in 1960s England.

In a small town in Sweden, Frigga navigates the challenges of family and a demanding job in a local mine. But tensions quickly rise when a looming disaster threatens to engulf them all. Frigga must confront not only the physical dangers but also the emotional turmoil as she fights to protect her loved ones from being consumed by the abyss.

In his hometown, a former industrial site in Lorraine, Jonathan Rescigno follows individual people and draws loose connections between their stories. Two friends, sons of Arab immigrants, pass their time idling at local fairs and discos. Another man donates smoke grenades and helmets to the mining museum, mementos of miners' strikes in the 1980s and '90s. An older coach works with young boxers, training them for a fight. Archive material showing the escalating mining strikes separates these narrative threads. Little by little, relationships develop between the individual stories, with questions emerging about labour struggles, solidarity and the shifting meanings of these terms in the present day. Clouds of mist pass through the film again and again: across workers' estates, through the museum, past the back then headquarters of the mine. Is the struggle over, or it is still smouldering? Or is something altogether new gathering on the horizon?

Johnny Weissmuller is called in by the government to investigate thefts of cobalt from a jungle mine owned by John King and his ward, Luora. He discovers natives led by King and Luora, who are selling the cobalt to a foreign government, are responsible. John's brother, Arnold King and Johnny are captured and doomed by the natives...

A gold mine in Arizona, that was formerly losing a lot of money, suddenly turns into a veritable money-making machine. However, the owner, instead of being happy about his now profitable business, insists to Charlie that something is fishy and that someone is out to murder him. Charlie and his "crew" travel to the mine, pretending to be tourists staying at a nearby dude ranch so as not to arouse suspicion, and discover that the owner may well be right--it looks like the mine is being used as a cover for criminal activities, and that someone is indeed out to murder him.