For three months, Gilles, a philosophy professor has been having a romance with Ariane, who is one of his students and a philandering part-time porn model. His daughter, Jeanne, the same age as his mistress, arrives at his house unexpectedly after a violent breakup. Jeanne is recovering from the end of her first real love story and does not seem offended by the age difference between her father and the young woman. They understand each other, because both are determined to live their love stories intensely. The intimate domestic trio discuss love, fidelity and friendship and Arianne frequently becomes jealous when father and daughter spend the evening together. The two women are also bound by a secret they each know about each other.
Retired Mexican-American chef Martin Naranjo shares an L.A. home with his three gorgeous, but single, adult daughters. Though he long ago lost his ability to taste, Martin still lives to cook incredibly lavish dinners for his loved ones and to serve them in a family-style ritual at traditional sit-down meals. Although the women humor their father's old-fashioned ways, each of them is searching for fulfillment outside the family circle. College student Maribel is growing increasingly frustrated with the singles scene and wants a steady man; gorgeous career woman Carmen is fed up with her boyfriend and his wandering eye; meanwhile, eldest daughter Letitia, who has suppressed her own romantic longings, senses something missing in her life. Things take a turn for the romantic when Dad, a widower, meets a vivacious divorcee on the lookout for a mate and each of his daughters, in turn, finds someone. But they'll all discover that the recipe for happiness may call for some unexpected ingredients.
After her father Stanley Jordan loses his wealth in market, Bonnie goes to work as a cub reporter. Her brother Rodney is the wheel man in a gangland massacre. Bert, a reporter on Bonnie's paper, is murdered while investigating. Bonnie gets to know gang leader Jake Luva and learns how the gang works and that her brother is involved. By the time it's over her wealthy friend Bob sees how wonderful she is and falls in love with her for good.
Romeo Aldea (49), a physician living in a small mountain town in Transylvania, has raised his daughter Eliza with the idea that once she turns 18, she will leave to study and live abroad. His plan is close to succeeding - Eliza has won a scholarship to study psychology in the UK. She just has to pass her final exams - a formality for such a good student. On the day before her first written exam, Eliza is assaulted in an attack that could jeopardize her entire future. Now Romeo has to make a decision. There are ways of solving the situation, but none of them using the principles he, as a father, has taught his daughter.
Winfried doesn't see much of his working daughter Ines. He pays her a surprise visit in Bucharest, where she's busy as a corporate strategist. The geographical change doesn't help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried's flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines' work circle, claiming to be her CEO's life coach. As Toni, Winfried doesn't hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life.
The acerbic, hilarious Claire Bennett becomes fascinated by the suicide of a woman in her chronic pain support group. As she uncovers the details of Nina's suicide and develops a poignant relationship with Nina's husband, she also grapples with her own, very raw personal tragedy.
After 17 years in captivity, Israeli soldiers Nimrode Klein, Uri Zach, and Amiel Ben Horin return home to the country that made them national icons. They work to overcome the trauma of torture and captivity while settling back into their interrupted family lives. Meanwhile, the military psychiatrist assigned to them finds discrepancies in the soldiers' testimonies, and launches an investigation to discover what they are hiding.
In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.
A reclusive doctor, desperate to help his dying daughter, attempts the ultimate experiment, bring a dead body back to life! His experiment seems to be a success but when the monster gets loose the doctor has no idea what destruction his creation will bring. Before it's all over people run, people cry, people lie and people die because nothing can prepare them for the monster, The Doctor's Monster!