Keywords

Part documentary, part narrative fiction, part home movie, and part acid trip. A psychedelic whirlwind of snapshots, Super-8 home movies, old answering machine messages, video diaries, early short films, snippets of '80s pop culture, and dramatic reenactments to create an epic portrait of an American family travesty. The story begins in 2003 when Jonathan learns that his schizophrenic mother, Renee, has overdosed on her lithium medication. He is catapulted back into his real and horrifying family legacy of rape, abandonment, promiscuity, drug addiction, child abuse, and psychosis. As he grows up on camera, he finds the escapist balm of musical theater and B horror flicks and reconnects to life through a queer chosen family. Then a look into the future shows Jonathan as he confronts the symbiotic and almost unbearable love he shares with his beautiful and tragically damaged mother.

The snoopy reporter Sadie Blake is called by her nerd colleague Ethan Mills that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop, who wants to know what Tricia has told her. Then, Bishop and his mate Eve kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire.

When the Waters brothers, Joe and Lou, of 1980s Philadelphia, discover that their kid brother Cliff is gay, humorous situations abound as they alternately try to accept Cliff's homosexuality and try to 'cure' him of it, but they love him either way.

In the third installment of the iconic series, Leatherface pursues young couple Michelle and Ryan, stranded in the heart of Texas, when they stop at a gas station during their road trip. Witnesses to a violent altercation, unknowingly flee into the very clutches of Leatherface, wielding his iconic chainsaw. Amidst the chaos, they meet Benny, a survivor, and together they embark on a terrifying escape through the unforgiving Texan landscape to escape his relentless pursuit... and his family is definitely hungry.

True Women is a sweeping saga of love, war and adventure. Spanning five decades from the Texas Revolution through the Civil War, Reconstruction and beyond, True Women is the story of the love, friendship, survival and triumphs of Sarah Ashby McClure, Euphemia Ashby King and Georgia Lawshe Woods.

A young Chicano couple struggles to balance work, college and marriage, pitting the husband's machismo and self-sacrifice against the wife's desire for agency and companionship.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Filmed in the San Antonio area by H. W. Kier's regional Gulf Coast Productions and one of the few Gulf Coast films that managed to be shown outside Gulf Coast's normal territory of Texas and the southeastern states of the United States. Since it is possibly the worse acted, written and directed B-western since the 1930's offerings from Victor Adamson (Denver Dixon) and/or those from Robert J. Horner, its escape may mean that the Astor Pictures Distributing Company ran out of re-issue films. Kids playing cowboy in the back yards of Patterson, New Jersey achieved more realism than this film has: Rancher Steve Patterson is paroled after taking a rap for his friend-turned-rustler Drago. Drago talks Steve into giving he and his henchman a hideout, and they proceed to rustle cattle from Steve's rancher friend Walt Hilton, and the trail leads back to Steve.

When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.

A pseudo-mockumentary focusing on sardonic 18 year old Liz Lee and her attempts to deal with life in her Texas town.

Voices of the United Farm Workers Movement in Texas, follows the struggles and successes of the grassroots movement in Texas from its inception in 1966 to today.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains "I always say the law was meant to be interpreted in a lenient manner."