Michael Mohan

The Changing Role of Bodily Fluids in Cinema: From Spectacle to Substantial

I recently watched the horror flick “The First Omen,” and what intrigued me wasn't its scariness, but how Arkasha Stevenson portrayed women's bodies. It's quite similar to “Immaculate,” directed by Michael Mohan, in terms of the plot and themes. However, while “Immaculate” focuses on showcasing Sydney Sweeney in her birthday suit, “The First Omen,” despite its R rating, involves close-ups of the female lower body during labor but includes no scenes of female nudity. The movie boldly rejects the