Info

Role

Director | Actor | Writer

Date of birth

01/10/1951

Place of birth

Nancy, Meurthe-et-Moselle, France

Nicolas Philibert

Biography

Nicolas Philibert was born on January 10, 1951 in Nancy, Meurthe-et-Moselle, France. He is a director and writer, known for To Be and to Have (2002), La Maison de la radio (2013) and In the Land of the Deaf (1992).

Known For

To Be and to Have

7.8

In the Land of the Deaf

7.6

Louvre City

7.1

La Maison de la radio

6.5

Filmography

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Directing

Acting / Writing / Directing

Role: Self

In the Land of the Deaf

7.6

Writing / Directing

La Maison de la radio

6.5

Writing / Directing

Nénette

6.6

Directing

The French Calvinists

7.4

Acting

Fucking Fernand

4.7

Acting

Role: Un cycliste

Directing / Writing

Writing / Directing

Directing / Acting

Role: Self

Each and Every Moment

7.0

Directing

Averroès & Rosa Parks

7.6

Directing

Animals and More Animals

7.6

Directing / Writing

Vive la sociale!

6.3

Acting

Role: Francis

Billy Ze Kick

5.2

Acting

The Typewriter and Other Headaches

Directing

Directing

Directing

Dahomey: Why Is This 67-minute Documentary Worth a Golden Bear

This year’s Golden Bear was awarded to 41-year-old French-Senegalese female director Mati Diop for her second feature Dahomey, which was astonishing for many people since it’s only a 67-minute documentary, narrating how 26 pieces of royal treasures were returned to Benin by the French government. But remember, that last year the Golden Bear was also awarded to a French director Nicolas Philibert for his documentary On the Adamant, and that how amazing Mati Diop’s debut feature, Atlantics is, whi

Hazel Molina: It made me travel through your words.

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Dahomey: Why Is This 67-minute Documentary Worth a Golden Bear

After watching a year of art films, I’m reassured: the Cinema won’t die anytime soon

With the end of the global pandemic, the art film scene has once again returned to its lively and bustling state. Faced with the double whammy of the onslaught of commercial films and short videos, art films have successfully broken through and gained new vitality. This has also convinced film lovers like us that art films, as an art form, won’t die anytime soon. We’ll now review in detail this year’s memorable and representative artistic masterpieces from a few aspects – namely female-centric f