John Waters

"If someone threw up at one of my screenings, it would be like a standing ovation." Humor, transgression, and social criticism are the essence of the works of John Waters, a symbol of trash cinema that has turned bad taste into a form of art. Born in Baltimore in the 40s and fascinated since childhood by the provocative, violent, and grotesque expressions, Waters has created films where humor and discomfort intertwine in search of breaking social boundaries. Walters disrupts popular culture narratives by transforming the vulgar into satirical entertainment with films like Pink Flamingos (1972). Shot with low budgets and raw aesthetics, they showcase his marked kitsch style, with trembling shots and extreme angles that emphasize absurdity through chaos. His evolution as a director is reflected in his work, with films such as Polyester (1981) and Hairspray (1988), where he uses ironic soundtracks to enhance the action. However, these are just new additions to his cinema, which is still committed to the celebration of the strange, inconvenient, and grotesque expressions.