(Cínemalayà: Philippine Independent Film Festival)
Aug 8, 2015
Estonia
No data
Aug 28, 2015
USA
(limited)
Sep 9, 2015
Venezuela
No data
Sep 18, 2015
Canada
(limited)
Oct 2, 2015
Argentina
No data
Nov 26, 2015
Japan
(Akiruno Film Festival)
Jul 28, 2016
Spain
No data
Aug 5, 2016
Greece
No data
Oct 20, 2016
Germany
(TV premiere)
Aug 7, 2019
Russia
(Chinese Film Festival, St. Petersburg)
Sep 26, 2021
Russia
(Chinese Film Festival, Moscow)
Oct 7, 2021
Coming Home
(Original title)
Regreso a casa
Argentina
Coming Home
Australia
Coming Home
Belgium
Amor Para a Eternidade
Brazil
Coming Home
Canada (English title)
Le Retour
Canada (French title) (new title)
归来
China (Mandarin title)
Povratak kući
Croatia
Kojutulek
Estonia
Coming Home
France
Coming Home
Germany
Η μεγάλη επιστροφή
Greece
歸來
Hong Kong (Mandarin title)
Coming Home
India (English title)
Coming Home
Ireland (English title)
Lakhazor ha'bai'ta
Israel (Hebrew title)
Lettere di uno sconosciuto
Italy
妻への家路
Japan (Japanese title)
Coming Home
New Zealand (English title)
Powrót do domu
Poland
Regresso a Casa
Portugal
Возвращение домой
Russia
Coming Home
South Africa (English title)
Regreso a casa - Coming Home
Spain
Hemkomsten
Sweden
歸來
Taiwan
Yuvaya Dönüş
Turkey (Turkish title)
Coming Home
UK
Coming Home
USA
Regreso a casa
Venezuela
Trở Về
Vietnam
Sex & Nudity
None
Zero sexuality or nudity.
A woman speaks of a man "violating" her, but the only specifics described are that she was beaten with a ladle.
Violence & Gore
None
A man is forcibly arrested.
A woman struggles against people restraining her and falls sharply to the ground. When she gets up, blood is running down one side of her face.
Profanity
None
1 use of b*****d: "The rightist is a sneaky b*st*rd."
Alcohol, Drugs & Smoking
None
No use of alcohol, drugs, or smoking is depicted.
Frightening & Intense Scenes
None
The subject matter revolves around a forlorn woman who waits for many years for her husband's return. The film itself has a heavy undertone overall.
The "thematic material" includes family loyalties and betrayals amid communist oppression and governmental threats, as well as the (obvious) emotional gravity of a woman who does not remember her husband.