Rashomon (1950)

It unravels a tale of conflicting perspectives surrounding the rape of a bride and the murder of her samurai husband. As the bandit, the bride, the samurai's ghost, and a woodcutter provide their divergent accounts, the film delves into the elusive nature of truth and human perception. Akira Kurosawa's masterpiece explores the subjectivity of reality, leaving the audience to ponder the complexities of morality, memory, and the inherent ambiguity in storytelling.