Strike or Die (2020)

In his hometown, a former industrial site in Lorraine, Jonathan Rescigno follows individual people and draws loose connections between their stories. Two friends, sons of Arab immigrants, pass their time idling at local fairs and discos. Another man donates smoke grenades and helmets to the mining museum, mementos of miners' strikes in the 1980s and '90s. An older coach works with young boxers, training them for a fight. Archive material showing the escalating mining strikes separates these narrative threads. Little by little, relationships develop between the individual stories, with questions emerging about labour struggles, solidarity and the shifting meanings of these terms in the present day. Clouds of mist pass through the film again and again: across workers' estates, through the museum, past the back then headquarters of the mine. Is the struggle over, or it is still smouldering? Or is something altogether new gathering on the horizon?