Príncipe (2020)

Príncipe displays a forgotten generation. A city on the edge of an international rehabilitation. In the film, a principle of monotony surrounds the main character, João, who travels around a immobilized romance. The desire to "escape" fills the collective subconscious of his generation; in context, the relationships he establishes become fragments of a volatile way of thinking. Between exploratory spaces, the character confronts his most illicit movements, in a region bounded by invisible borders. On the threshold of its objectives, the geography of the space, in analogy to the characters, is in constant change; uncompromised from the virtuous extension of definite time: time as a matter of abstract and uncompromising sensations.