In a nocturnal setting, Inés Madrigal (Aria Bedmar) and Rodrigo Ajuria (Víctor Palmero) passionately press against a car before moving to the front seat, where heavy petting and deep kissing escalate; the action shifts to the back seat as Inés removes her top, reclining topless with bare breasts visible in close-up while moaning, as Rodrigo sucks her nipple and performs cunnilingus, with sustained views of her exposed chest and explicit physical intimacy.

In a shadowy cave, Inés Madrigal (Aria Bedmar) removes her white shirt to reveal bare breasts as Rodrigo Ajuria (Víctor Palmero) approaches from behind, grasping her breasts before she unbuttons his pants and he kneels to perform oral sex amid her sharp breaths; the scene then cuts to them fully nude on the cave floor with Inés astride Rodrigo in a cowgirl position, detailed shots showing her breasts and buttocks as she grinds, later shifting upright onto his lap while he kisses her chest amid moans and gasps, with diegetic off-screen dialogue playing throughout and explicit nudity featuring prolonged female breast and buttock exposure alongside partial male nudity.

In a secluded cave, Inés Madrigal (Aria Bedmar) lies fully nude on her side, engaged in a tense, private conversation with Galder Meyer (Daniel Horvath); as the dialogue intensifies, she sits up, revealing an unobstructed view of her bare breasts in natural light, then rises to stand and pulls on black panties and pants with deliberate movement, her breasts and buttocks clearly visible in the process-she tops her outfit with a sheer, white shirt worn without a bra, the camera lingering on her erect nipples showing distinctly beneath the translucent fabric as the scene's emotional stakes escalate, until Inés, visibly upset.

Inés Madrigal (Aria Bedmar) sits bound to a wooden chair with her dress pulled down to her waist, fully exposing her breasts as a male antagonist looms over her and presses her face against his bare stomach; the camera holds prolonged views of her bare chest throughout their struggle, which escalates as he chokes her and shoves her to the floor, revealing glimpses of her underwear between her spread legs during the fight.

Eva Santos (María Marnez) appears on multiple in-film digital screens, including cell phones and a camera monitor, casually conversing with an unseen cameraman; she sensually slides her panties partway down her hips and removes her tight black top to bare her breasts, then saunters toward a couch in revealing panties, turning to display her exposed buttocks before reclining and spreading her legs openly, maintaining a high-exposure pose that highlights her breasts, buttocks, and pubic region as a male character approaches, all shown through voyeuristic camera angles.