Shakespearean Cinema

Based on the real-life dysfunctional family of comedy in Christopher Titus, the show deals with his character, his brother, and their friends dealing with his crude, abusive, sadistic drunken father, and how the guy has twisted and ruined his own life. All in a light-hearted comedy vein.

Baptista (Sir Michael Hordern), a rich Paduan merchant, announces that his fair young daughter, Bianca (Natasha Pyne), will remain unwed until her older sister, Katharina (Dame Elizabeth Taylor), a hellish shrew, has wed. Lucentio (Michael York), a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio (Richard Burton), a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio (Victor Spinetti), another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio (Alan Webb), agree to cover Petruchio's costs as he pursues Katharina.

Brutus, Cassius, and other high-ranking Romans murder Caesar, because they believe his ambition will lead to tyranny. The people of Rome are on their side until Antony, Caesar's right-hand man, makes a moving speech. The conspirators are driven from Rome, and two armies are formed: one side following the conspirators; the other, Antony. Antony has the superior force, and surrounds Brutus and Cassius, but they kill themselves to avoid capture.

An aging King invites disaster when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Brother and sister Viola and Sebastian, who are not only very close but look a great deal alike, are in a shipwreck, and both think the other dead. When she lands in a foreign country, Viola dresses as her brother and adopts the name Cesario, becoming a trusted friend and confidante to the Count Orsino. Orsino is madly in love with the lady Olivia, who is in mourning due to her brother's recent death, which she uses as an excuse to avoid seeing the count, whom she does not love. He sends Cesario to do his wooing, and Olivia falls in love with the disguised maiden. Things get more complicated in this bittersweet Shakespeare comedy when a moronic nobleman, Sir Andrew Aguecheek, and a self-important servant, Malvolio, get caught up in the schemes of Olivia's uncle, the obese, alcoholic Sir Toby, who leads each to believe Olivia loves him. As well, Sebastian surfaces in the area, and of course there is Feste, the wise fool, around to keep everything in perspective and to marvel, like we the audience, at the amazing things happening all around.

William Shakespeare's classic play is brought into the present with the setting as Great Britian in the 1930s. Civil war has erupted with the House of Lancaster on one side, claiming the right to the British throne and hoping to bring freedom to the country. Opposing is the House of York, commanded by the infamous Richard III (Sir Ian McKellen), who rules over a fascist government and hopes to install himself as a dictator monarch.

In Writer, Producer, and Director Julie Taymor's version of "The Tempest", the main character is now a woman named Prospera (Dame Helen Mirren). Going back to the sixteenth or seventeenth century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda (Felicity Jones). This leads to the power struggle and balance between Caliban (Djimon Hounsou) and Prospera; a struggle not about brawn, but about intellect.

Shakespeare's intertwined love polygons begin to get complicated from the start--Demetrius and Lysander both want Hermia but she only has eyes for Lysander. Bad news is, Hermia's father wants Demetrius for a son-in-law. On the outside is Helena, whose unreturned love burns hot for Demetrius. Hermia and Lysander plan to flee from the city under cover of darkness but are pursued by an enraged Demetrius (who is himself pursued by an enraptured Helena). In the forest, unbeknownst to the mortals, Oberon and Titania (King and Queen of the faeries) are having a spat over a servant boy. The plot twists up when Oberon's head mischief-maker, Puck, runs loose with a flower which causes people to fall in love with the first thing they see upon waking. Throw in a group of labourers preparing a play for the Duke's wedding (one of whom is given a donkey's head and Titania for a lover by Puck) and the complications become fantastically funny.

The citizens of Rome are hungry. Coriolanus, the hero of Rome, a great soldier and a man of inflexible self-belief despises the people. His extreme views ignite a mass riot. Rome is bloody. Manipulated and out-maneuvered by politicians and even his own mother Volumnia, Coriolanus is banished from Rome. He offers his life or his services to his sworn enemy Tullus Aufidius.

The story centres on a group of men who return victorious from battle: Prince Don Pedro of Aragon, his bastard brother Don Juan, Benedick, and Claudio, a young man who won honours for his bravery on the battlefield. Together with his lady-partner Hero, the daughter of a knight, they scheme to pair Benedick and Beatrice, a cousin, although they despise each other. Based on Shakespeare's play and with a stellar ensemble cast, the film is both comic and romantic, funny and charming.

King Henry V of England (Sir Kenneth Branagh) is insulted by King Charles VI of France (Paul Scofield). As a result, he leads his army into battle against France. Along the way, the young King must struggle with the sinking morale of his troops and his own inner doubts. The war culminates at the bloody Battle of Agincourt.

In a raw reimagining of Shakespeare's tragedy, a Scottish general receives a prophecy from three witches that he will become king. Consumed by ambition and spurred by his wife, he murders the king and takes the throne. His reign soaked in guilt and paranoia, leading to further bloodshed. A visually stunning, hauntingly atmospheric film that captures the essence of ambition and fate. A must-watch for fans of Shakespeare and intense drama.

Iago convinces Othello, The Moor of Venice that his wife, Desdemona has been unfaithful. Iago is an evil, manipulative character with his own agenda. A plot of jealousy and rage transpires in this classic Shakespearean tale.

Hamlet (Sir Kenneth Branagh), son of the King of Denmark (Brian Blessed), is summoned home for his father's funeral and his mother Gertrude's (Julie Christie's) wedding to his uncle Claudius (Sir Derek Jacobi). In a supernatural episode, he discovers that his uncle, who he hates anyway, murdered his father. In an incredibly convoluted plot, the most complicated and most interesting in all literature, he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "Prime Minister", love and then unlove an innocent who he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on-stage, including his own and his mother's.

A modern twisted version of William Shakespeare's play about two young people from opposite families who fall in love in secret. Multiple events will shape their lives that will leave them and their families in trouble and punishment in the city.