Hernan Escalante Carrión
Cineasta apasionado, cinéfilo empedernido y geek de corazón. Me encanta explorar y compartir mis pensamientos sobre series y películas de todos los tiempos, desde clásicos hasta estrenos recientes, y descubrir joyas ocultas que merecen ser vistas. —
Passionate filmmaker, die-hard cinephile, and geek at heart. I love exploring and sharing my thoughts on series and films of all time, from classics to recent releases, and discovering hidden gems worth watching.
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Alejandro Franco "Arlequin": Ok, it's a different vision of the film. I admit that the last 15 minutes are a bit much, but I like everything beforehand. Women are victims of beauty culture, something created by men to please them. A lot of women with Stockholm syndrome, who believe in those dogmas that they did not create but continue with it, convinced that beauty is a value of real importance. Fargeat's super misogynistic shots, focusing on busts and butts when Sue takes over the show (which had a light vibe in the style of Jane Fonda videos from the 80s). The voracious, misogynistic producer, very much in the vein of Harvey Weinstein, a predator in luxury clothes. Perhaps the biggest drama is Demi Moore's character's inability to accept age, live with her millions, and retire properly. She is addicted to being seen as a sex symbol. And the film goes from being a version of Cronenberg's The Fly (using human bodies as teleportation chambers, where what comes out is different from what goes in) to one of Jekyll & Hyde, where they throw away the premise of "two bodies, one person" and they wage war by sabotaging each other.