Mikey Madison

Matthew Alan Schmidt: One of the most cathartic endings to a movie of all time. Considering how worried everyone was about an eventual portrayal of this tragedy, I think Tarantino really nailed it with about as much grace as anyone could have asked for, like you said. It really reinforces the "fairy tale" aspect alluded by the title. It's right up there with Basterds as my favourite Tarantino, and continues to age better with every re-watch.

marvelousmars: As someone who (still) hasn't watched the film, I'm glad you wrote this and offered me yet another take on the film and especially why it deserved (or at least why it got) its accolades. More importantly, though, your description of the theatre cracked me up. What a perfect description of that particular hell.

Ishika Banerjee: It's really cool that you were able to interview a real sex worker for this analysis—I think it definitely adds depth to your argument. However, to me, this is a fictional story about one experience happening to a sex worker that can happen to another in real life, but it’s not an overall representation of all sex workers. Especially since it’s set in New York, it clearly portrays a very distinct community rather than sex workers as a whole.Regarding Anora’s abduction and the audience’s reaction, I do agree with you—I was slightly disturbed that people were laughing at such a crucial moment. However, I try to see it as an example of how people process trauma in different ways, not just in the ways we personally understand. The film does this so the ending hits like a gut punch, which, for most people I’ve talked to, it did.Additionally, establishing a preconceived notion about a marginalized community is meant to evoke empathy and understanding—not to perpetuate more stereotypes. We see Ani frustrated and vulnerable, trying to fight against her circumstances, but the system built around her won’t allow her to—that’s important to understand for someone who only views sex work as purely transactional or menial labor.I appreciate your analysis and really liked your article, but I’ve seen these points made repeatedly without much thought into what the film is actually trying to say. I also find it funny how, once a really good movie becomes popular or wins awards, the haters inevitably come storming in.

marvelousmars: I love how you wrote this, especially how you focused on the fact that the injustice was less that she didn't win and more that she was expected to act like everything was perfect. I hadn't thought about it before, but now I hope she gave herself the chance to really feel the emotions of the loss, just like you.

cora werwe: Tell me you didn't understand anything about this film without telling me. The Anora hate after the Oscars is so forced it's hilarious.

Danny Varekai: Jamie, your article stands out as an incisive and courageous analysis that masterfully exposes the paradox of Anora's triumph at the 2025 Oscars. You have my like. If you have a few minutes, I’d like to invite you to read my article : “Why Living in ‘How I Met Your Mother’ Would Be Absolutely Legend…(Wait for It…) DARY.”Take a look, and if you enjoy it, I’d really appreciate your support as well.Why Living in “How I Met Your Mother” Would Be Absolutely Legend…(Wait for It…) DARY.