'Up in the Air', a profound movie under a light facade.

Up in the Air (2009) is a –seemingly– light comedy with serious overtones, yet it is far deeper and more thoughtful than it appears. I didn't pay attention to it at the time, probably because of its appearance, but now I think it's a fantastic film that is well worth seeing.

Its protagonist, Ryan Bingham (played thoroughly by George Clooney), is a breath of fresh air in a sea of Hollywood monotony. Ryan defies all clichés and lives in a way that many people find inexplicable. He is forty years old and does not own a home, have a wife and children waiting for him, or have friends with whom he may spend his leisure time. His life revolves around his work, which involves flying to all corners of the United States to lay off employees for the company that hires him. Ryan's life may appear to be full of unhappiness, but it is not.

He follows his own philosophy: life is a suitcase, and whatever you own fills it full. Objects and, most importantly, people (who aree the largest burden) weigh it down, impeding our movement and permanently attaching us. For him, it's preferable to have an empty suitcase that allows for our total freedom.

As one might expect, the guy will have encounters that shake his beliefs throughout the film. But, contrary to common perception, Ryan is a very complex person: he is a solitary man, but he is also extremely friendly. He's selfish, yet he also has a high level of sensitivity. He appears to reject all forms of human connection, although he has shown the ability to open out to others on multiple occasions. A fascinating, interesting, and well-written character who, like all mortals, has paradoxes, phobias, weaknesses, and virtues.

The film, and herein lies its great value, conceals very insightful reflections behind that facade of light comedy, as it addresses issues such as the economic crisis, the dehumanization of professional relationships as a result of excessive use of technology, the emotional detachment that certain types of jobs can generate, the job insecurity to which most workers are subjected, and their total economic dependence... and, of course, the central theme of the story: is it worth giving up some of our freedom to avoid being alone?

The film's tragicomic tone is evident from the first shot, which depicts a variety of reactions from laid-off employees. With a wonderful montage sequence, we comprehend our protagonist's daily routine. All of his acts are calculated and accurate, but do they convey passion? The first act is entertaining and addresses many of the previously addressed topics.

As is sometimes the case, the second act meanders a little, and there are instances when the story feels stuck. Some good dialogues and the chemistry that the lead couple exudes in all their romantic sequences largely save that feeling. Vera Farmiga's role and performance deserve special mention, since she develops her character greatly in her few scenes.

The third act recaptures its vitality and depth. Clooney and Farmiga dazzle, and the movie ends with an appropriate, if rather predictable, ending.

In conclusion, Up in the Air is an outstanding film based on a captivating character that is well-written and well-acted. A work far above average, just like Thank You for Smoking (2005), the debut film of Canadian director Jason Reitman.