An In-depth Analysis of the Costumes of Little Rose in 'Game of Thrones'

Margaery Tyrell, known as "Little Rose", was married to Renly Baratheon in the second season. As soon as she appeared, she contributed the two most terrifying looks in the season.

The hairline of the wig on the left is ridiculously low.

The cone skirt, which has the same root as Cersei but has a different life, was inspired by Alexander McQueen's bell skirt in 2004. Anyway, the inspiration is innocent. But this finished effect ...... is enough for Cersei to snicker for half a month.

After all, the audience is not blind. The style is too controversial. The designer explained afterward. At that time, Margaery thought that the queen would wear such exaggerated clothes, but after arriving at King's Landing, she found it was not. So she never wore it again.

Margaery understands that she is no match for Cersei if comparing beauty and aura with her. Her overwhelming advantage is her young body.

So Margaery's strategy against Cersei is to show off her young body. Her dresses are all exposed in the front and back. I made a picture so that it is easy to identify the difference (the second row of small squares corresponds to the pattern of the top~

The designer also changed the color scheme of House Tyrell. He replaced the green and gold of the family emblem with light blue and gold.

In addition to being exposed, Margaery wore the King's Landing style dresses without a tight corset, which is different from Cersei, Sansa, and the others.

Under Margaery's dress... there was nothing.

Margaery should have known it was inappropriate. When she went to the streets of King's Landing to win over the people, she would cover her chest tightly with her shawl.

Her tactics were so successful that Cersei hated her so much that she called her a bitch behind her back.

The fashion war between Cersei and Little Rose was not only an arms race for clothes but also a fight about fashion status. The crew designer deliberately inserted a detail in the third season:

In the background, more and more young girls began to follow Margaery's dress, which made Cersei's status as the fashion leader of Westeros perennial unsafe. Cersei felt threatened.

When Cersei was a child, the witches told her fortune. In the prophecy, a younger and more beautiful woman would take away everything she held dear. During that period in the picture, the only potential enemy was Margaery.

Margaery's accessories are naturally all kinds of exquisite roses. The copper rose waist (not the belt) on the left was also made at Steensons.

The bondage setting of Little Rose Wearing a Rose culminates in her wedding to Joffrey.

Thorn entwined the upper body and the roses on the dress, corresponding to Margaery’s aggressive beauty. The overall color chosen is a dove gray close to white, symbolizing innocence and purity, a show of weakness on the surface by Margery.

Look carefully at the leaf vein texture on the dress, the details are very complicated, and it took more than a month to complete.

The crown worn at the wedding is full of scheming.

The main body is the stag antlers of the Baratheon family. Joffrey's crown is decorated with antlers and flower buds, while on Margaery's crown, the blooming rose suppresses the antlers, hiding the ambitions of the Tyrell family. In addition, Margaery's crown was made in silver to match her light-colored dress.

In the third marriage, facing the cute little Tommen, Margaery is dominant. She didn't have to hide her ambition anymore. She wore strong gold, and the crown is also gold.

On the first day of their marriage, Margaery challenged Cersei by showing off how brave Tommen was last night. It is the only time she wore the King's Landing style. Of course, the position of the neckline did not follow the customs. The necklace was still low to the cleavage, which was her usual means of attracting attention.

The post-wedding look is all golden.

Margaery had two mourning dresses, one with gold roses on a black background, the other with gray and gold patterns, and a black embroidered shawl. The style of mourning clothes is not much different from usual, except for the exposed area on the chest.

Framed by Cersei into the dungeon, she pretended to convert to the Church. After regaining her freedom, her appearance was all good, covering up from the neck.

But the color of her skirt (left) and the rose pattern on her dress (right) signal that she is still loyal to House Tyrell and not brainwashed by the Church.

Margaret is extremely deep and has proficient skills. Her starting point is too high to have room for improvement.

Reflecting on the dress, her style is the same way, not like other female protagonists who follow an ever-evolving upward path. Finally, there was a little change. She was reduced to ashes with a bang.

Total number of Margaery styles: 17+

If you are interested in the serie of the deep analysis of the female costumes in “Game of Thrones”, more links are attached below, hope you enjoy them.